I know I change
have changed
but whose is this vapid face
pitted and vast, rotund
suspended in empty paper
as though in a telescope
the granular moon
I rise from my chair
pulling against gravity
I turn away
and go out into the garden
I revolve among the vegetables,
my head ponderous
reflecting the sun
in shadows from the pocked ravines
cut in my cheeks, my eye-
sockets 2 craters
among the paths
I orbit
the apple trees
white white spinning
stars around me
I am being
eaten away by light
Apr 3
Daguerreotype Taken in Old Age by Margaret Atwood
Summoned by conscious recollection, she would be smiling, they might be in a kitchen talking, before or after dinner. But they are in this other room, the window has many small panes, and they are on a couch embracing. He holds her tightly as he can, she buries herself in his body. Morning, maybe it is evening, light is flowing through the room. Outside, the day is slowly succeeded by night, succeeded by day. The process wobbles wildly and accelerates: weeks, months, years. The light in the room does not change, so it is plain what is happening. They are trying to become one creature, and something will not have it. They are tender with each other, afraid their brief, sharp cries will reconcile them to the moment when they fall away again. So they rub against each other, their mouths dry, then wet, then dry. They feel themselves at the center of a powerful and baffled will. They feel they are an almost animal, washed up on the shore of a world— or huddled against the gate of a garden— to which they can’t admit they can never be admitted.